{pdf download} Putting Plastic Surgery on
Putting Plastic Surgery on Paper: How Art and Archives Defined Second World War Reconstructive Surgery in Britain by Christine Slobogin
- Putting Plastic Surgery on Paper: How Art and Archives Defined Second World War Reconstructive Surgery in Britain
- Christine Slobogin
- Page: 292
- Format: pdf, ePub, mobi, fb2
- ISBN: 9781648251054
- Publisher: University of Rochester Press, The
Ipad books download Putting Plastic Surgery on Paper: How Art and Archives Defined Second World War Reconstructive Surgery in Britain by Christine Slobogin English version FB2 PDF RTF 9781648251054
An interdisciplinary approach to medical history that shows the key role that drawings and photographs had in shaping the material, professional, emotional and aesthetic parameters of plastic surgery. Plastic surgery in twentieth-century Britain was a medical discipline with deep ties to art, artists and art history. It was also a field still in the process of creating its reputation and its archives. Putting Plastic Surgery on Paper examines these archives, focusing in particular on the works on paper held within these collections by two artists: Diana "Dickie" Orpen and Percy Hennell. Plastic surgeons depended upon the drawings and photographs made by these and other medical illustrators to craft certain narratives about their field and their surgical practice. In addition to telling an art history of plastic surgery during this period, Putting Plastic Surgery on Paper engages with the affective parameters of archival objects, and with what working as a historian involves when done within potentially traumatic spaces. Paying particular attention to the emotional dimensions and effects of this visual culture and the ways in which it is archived and framed by the discipline of plastic surgery - then and now - Putting Plastic Surgery on Paper explores not only what it meant to make art in a surgical space but also what it means to study these affecting paper objects in the archive today. This book is available as Open Access under the Creative Commons license CC BY-NC-ND.
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“Putting Plastic Surgery on Paper reminds us that the history of medicine needs art history. Beginning with the premise that visual culture lies at the .
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It was also a field still in the process of creating its reputation and its archives. Putting Plastic Surgery on Paper examines these archives, focusing in .
Medical / Surgery / Cosmetic & Reconstructive | Page 70 - Book Soup
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Putting Plastic Surgery on Paper - Slobogin, Christine - Browns Books
An interdisciplinary approach to medical history that shows the key role that drawings and photographs had in shaping the material, professional, .
Putting Plastic Surgery on Paper: How Art and Archives Defined .
An interdisciplinary approach to medical history that shows the key role that drawings and photographs had in shaping the material, professional, emotional and .
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Putting plastic surgery on paper : how art and archives defined .
"Taking an interdisciplinary approach to medical history, this book shows the key role that drawings and photographs had in shaping the material, .
Putting Plastic Surgery on Paper: How Art and Archives Defined .
An interdisciplinary approach to medical history that shows the key role that drawings and photographs had in shaping the material, professional, emotional and aesthetic parameters of plastic surgery. Plastic surgery in twentieth-century Britain was a medical discipline with deep ties to art, artists and art history.
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Putting Plastic Surgery on Paper : Christine Suzanne Slobogin
An interdisciplinary approach to medical history that shows the key role that drawings and photographs had in shaping the material, professional, .
Putting Plastic Surgery on Paper: How Art and Archives Defined .
Taking an interdisciplinary approach to medical history, this book shows the key role that drawings and photographs had in shaping the material, .
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Book cover for _Putting Plastic Surgery on Paper: How Art and Archives Defined Second World War Reconstructive Surgery in Britain_ by Christine Slobogin.
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